My review of the previous episode: The Moth Catcher
My review of the first season of Vera.
My review of the second season of Vera.
My review of the third season of Vera.
My reviews of the fourth season of Vera.
My reviews of the fifth season of Vera.
Vera has spent plenty of time around the ocean, so I suppose it was inevitable that an episode finally move the investigation off-shore. Vera even gets to strap on a life-jacket and head to sea - surely, one for the memoirs.
The body is that of Tom Stonnell, and it's dredged up with a load of fish by a group of very alarmed trawlermen. It's uncertain whether the bloody wound to his head was an accident or a deliberate attack, but it's certainly suspicious enough that Vera can cackle delightedly - she has a murdah, pet.
The most interesting piece of information about Tom is that he's been missing several weeks, and no one knows where or why. His two sons, Steve and Lee, have no clue, and they react very differently to their father's death. Steve - the elder brother - takes it quietly - but Lee goes ballistic, tracking down his father's most prominent enemy - Jay Connock - and threatening him with a knife. Several years before, a fire was set at the harbor - Jay's father was killed in the blaze - and Tom was widely rumored to have been the arsonist. Vera manages to talk Lee out of stabbing Jay (as, of course, she must - we can't have that dramatic a showdown early in the episode). Afterwards, Jay is determined to press charges, but his sister, Ellie, seems less gung-ho.
Hanging around are family friends, Anna Marshbrook and her son, Jack - a colleague named Michael Quinn who seems to be hiding something - the harbour-master, Frank Mcafee - and an immigrant, Zahra Suleiman, who flees when Vera and Aiden first meet her. Steve was involved in a fight with an anonymous stranger in the car park, the night of his father's death - Vera quickly discovers he's the new beau of Steve's ex-wife Karen. The story carries us through a plot including smuggling, secret deals, and lies until the inevitable revelation of guilt.
An odd thing about this episode: there are lots of suspects who hang around the corners of the story and never present solid alibis or are discounted as red herrings. It means the plot spins along quite efficiently, but the investigation doesn't seem as thorough or tight as Dame Agatha (patron saint of detective fiction) would like it. The emotional story-lines are interesting but not engrossing, which means we're a bit indifferent to the outcome.
Meanwhile, the episode mostly ignores the doings of the regular cast. Aiden's new baby has arrived, but the event serves as nothing more than an excuse for Aiden to be grumpy and tired - we don't even know the gender or name of the child. Vera - who has never shown much warmth towards children - seems quite sanguine about the blessed event, even getting the kid a gift (two months late, but still). Hicham and Kenny hang around, being there. Vera might have complimented Aiden, but coming from the new, milder Vera, that's not as noteworthy.
Overall, this season has made some good efforts to try and shake things up - but hasn't appeared willing to follow through. It had an effect, but not a long-lasting one. Vera is still a solid show - Blethyn's mere presence ensures that - yet I do wish we could return to seriously examining Vera's inner life, as was done in the first three seasons. She's a fascinating character - we want to know about her - and not just the occasional unexplained act of random kindness (as satisfying as that was). Aiden is not a fascinating character, but he never will become one unless he gets to do something beyond look annoyed.
My review of the next episode: Natural Selection.
Want something good to watch? Check out my full list of British detective shows.
Longish
You know our girl is spending too much time watching British Drama when she spells "harbor" as "harbour."
ReplyDeleteThe episodes have gotten way too busy with all the side crimes of the suspect pool. What did we have in this one? Human smuggling, cigarette smuggling, illegal immigration, arson for profit, and manslaughter by arson. And that's only the list that first comes to mind. Vera cleans up half the crime in the Shire with every murder investigation.
ReplyDeleteNorthumberland is beginning to rival Oxford for sheer criminal scope, though it's not quite as fatal as Midsomer.
DeleteCouldn't agree more about the lack of character development among the regulars. We are willing to put up with a lot story-wise provided that we become involved in the lives of the main characters (as in the case of Endeavour). I found this episode very slick but devoid of emotional charge.
ReplyDeleteIt starts with just one improvised kiss on a colleague’s head and then the next thing you know you’ve gone hopelessly soft.
ReplyDeletePretty soon you’re overlooking an incident with a weapon; or turning a blind eye to benefit fraud; or finding a lawyer to help an illegal immigrant; or buying a stuffed animal for a new-born baby. (BTW: it’s a boy. Vera refers to the baby as the ‘bairn’ and these old ears heard ‘Ben,’ but when she asks how old it is, Aiden replies: “he’s two months”).
However, when you find yourself complimenting your Detective Sergeant, you know the game is up; it’s all over.
Yep - Vera's gone hopelessly soft. The rules? They're for other people. She and Fred Thursday should get together and exchange notes.
DeleteAiden had better watch - if Ben starts wanting to go by Kylo, there could be trouble.
personally I am glad they concentrate more on solving crimes and less on ver's daddy issues etc, I. Don't like detectives to have too much personal life, that's why I find endeavour such a bore.
ReplyDeleteWhy does the young African woman, who says she is an EU citizen, have to get smuggled into Britain? Why does she need an immigration lawyer? The whole point about Brexit is that some people in Britain think it is way too easy for EU citizens to move to the UK.
ReplyDelete