Monday, June 8, 2020
As I noted in my New Who skip/watch list, it can be intimidating knowing where to jump into the new show, with its 10 seasons and five Doctors. But this is nothing compared to Classic Who, which lasted 26 seasons and seven (or eight, depending on how you count) Doctors.
The good news is that Classic Who really isn't reliant on over-arching storylines, so it's easy to jump in with any Doctor. The bigger question is where the most appealing starting place is. Because of the show's wildly differing quality (and, admittedly, often dated SFX), it's important to choose a strong moment to enter. Once you're hooked on the charm of the cast and the whimsy of the premise, it's much easier to overlook silly things like "budgetary constraints" and "cheesy dialogue" (mostly).
First of all, a word about format. If you're familiar with the new show, you'll be expecting quick 45-minute adventures. In Classic Who, almost every adventure is four or six 25-minute episodes long. This allows for much more epic, in-depth story-telling in some cases, and in others, it means a lot of filler. You'll get used to the pace, you just have to settle in for a while. Now, I get frustrated with the rocketing pace of the new show!
Sunday, May 17, 2020
A Guest Post by Sarah Long
Are you ready to set off on an epic journey of suffering and terribleness?! You may have a bad feeling about this but trust me, 'cause you'll thank me later!
The episodes below are largely organized according to release date, but a few I've reordered according to the chronological in-story timeline, but only when they work well watched earlier than their release date order.
I've also just cut out all the episodes you definitely want to skip to save time. The real goal here is to fast track you from season 1, through the two essential arcs in season 2, and then on to when the show gets really good in season 3. If you're already a die hard Star Wars fan, then you might enjoy the "maybe" episodes, too.
Tuesday, February 25, 2020
My review of the previous episode: Raga.
Is it the 1980s yet? I feel like I just lived an entire decade in one episode. Rocketing from one plot twist to another, with red herrings galore and operatic aspirations, Zenana is certainly never dull. But is it good?
The story starts with yet another tow-path murder. Thursday is furious. It's the young woman he'd warned in the previous episode, Bridget Mulcahy. He has some strong words for Morse, who remained convinced that Professor Blish was the tow-path killer. The chef, Tony Jakkobsen, was killed in an unrelated incident, Morse thought. But with Bridget's murder, it seems undeniable that the killer is still at large.
Monday, February 24, 2020
My review of the previous episode: Oracle
If I felt that last week's episode left some arcs oddly unresolved, this week's story shows why that was. We find the main cast embroiled with the same conflicts which started in episode one. Endeavour is still being courted by Ludo Talenti - figuratively? the man does seem very flirty - and certainly literally by Violetta Talenti. I'm almost suspicious that Ludo and Violetta are setting Morse up somehow. Ludo clearly seems to have some ulterior motives for renewing his friendship with Morse.
Monday, February 10, 2020
For the first time since 1992, we are in a Morse episode set in a different country. Morse is in Venice, falling for a pretty Italian woman named Violetta. He's not there long, but it starts the story - and the new decade (1970s, 2020s) - off on a romantic foot.
Meanwhile, in Oxford, foul play is afoot. A woman, Molly Andrews, is murdered on a towpath. Thursday is convinced the killer was Carl Sturgis - the dead girl's boyfriend, which Morse calls into question fairly quickly on his return to duty. Bright isn't alarmed, but he assigns Morse to revisit the case, which creates conflict between Thursday and his former protege.