Endeavour Season 3 - Arcadia - Episode Review

My review of last week's episode: Ride

I don't suppose we could have plausibly continued the Morse-as-tourist-in-great-literature trend into the rest of the series, but I'm a little sad that this week doesn't find Morse as the mild-mannered Charles Ryder in Brideshead Revisited (I had my hopes: after all, this episode is called Arcadia) or snobbish Pip in Great Expectations, or any number of other literary middle-class hangers-on observing the enchanting world of the upper classes.

Of course, I kid. Morse in The Great Gatsby was a neat gimmick episode, but not a sustainable conceit. Even so, Morse as a character has always found himself an interloper in the world of others, and never more so than in Arcadia, an overstuffed episode which rather clumsily tries to get back into its usual groove.

Endeavour Season 3 - Ride - Episode Review

My review of last season's finale: Neverland

Well, that was unexpected.

After a few seasons, TV shows tend to sink into a comfortable rut, doing what they do best, refusing to stretch their limits. Endeavour did the impossible by pleasing fans of Inspector Morse with a nostalgic but courageously new pilot and first season. In season two, they tried to deepen the story a bit by hinting at the darkness creeping into Morse's life, and while the finale was gripping, the season as a whole lacked the freshness and verve of the early episodes. But Ride, the first episode of season three, gives the entire show a rehaul, both thematically and aesthetically. Endeavour is back, and it's better than ever.

[SPOILERS]

Inspector Lewis - One for Sorrow - Episode Review

 My review of the last season.

[SPOILER ALERT]

The first episode of Inspector Lewis's ninth series, appropriately, begins at an archaeological dig. They're looking for a body in a well, and a body they find, rather newer than expected. This shouldn't really be surprising. After all, this is Oxford! There's a body under every bush.

Lewis, Maddox, and Hobson are quick to the scene, where they banter and wonder where Hathaway's gone on his holidays. Another pilgrimage-not-really-a-pilgrimage? Sort of, but with a goal not religious but familial. He's visiting his father, Philip Hathaway (Nicholas Jones), who lives in a home, struggling with dementia. James, never great with his feelings at the best of times, is completely lost here.

What If Aborted Children Could Speak?

"There are things that you will only be able to learn [from] the weakest among us. And when you snuff them out, you are the one that loses....What sort of people are you going to be?"
~Gianna Jessen, abortion survivor

Since 1973, there have been 54 million children aborted legally in America. 

Over the last few weeks, I've been meditating quite a lot on those missing 54 million. I thought of the half-full services in mountain churches around my home. The dying congregations. The two-child millennial families. The elementary school that closed because there weren't enough children to keep it running. I imagined my college classmates blinking out of existence one by one - until 20% of each generation had disappeared. Celebrities and politicians and doctors and abolitionists and world-changers...blink - gone - blink - gone. Who would die? Who would live? Who were they? What were they like?

If they could speak to us - what would they say?

Planned Parenthood: The New Confederacy

Photo credit: USA Today

When I was about ten years old, my family attended Dolly Parton's Dixie Stampede in Pigeon Forge, Tennessee. The dinner show took place in a huge barn, where guests ate greasy food with their fingers and watched a dramatic display of stunt riding and antebellum fashion, to the backdrop of bluegrass. It was Southernness exaggerated, packaged, and monetized on an enormous scale. The guests were filtered to either side of the arena, based on place of origin. Yankees on one side; Johnny Rebs on the other. My family sat with the Confederates, and booed whenever the boys in blue galloped across the arena. Our Yankee opponents did the same as the Confederates appeared. It was fun, all in good humor, and in retrospect, more than a little obscene.

150 years ago, 600,000 men were slaughtered in a conflict which concerned the forced enslavement of 12.5 million human beings. The Dixie Stampede reduced that conflict to the level of a football game.

I didn't notice, because I didn't think about it very seriously. I wasn't alone. Southerners are quick to defend the confederate flag, because to them, it means a football game and not a war. Ask them to defend the flag, and they'll talk your ear off. Ask them where Antietam is, and they'll say, "What?" If you didn't know, the battle of Antietam was the single bloodiest day in the history of the United States.

Inspector George Gently - Series 7 - Breathe In the Air

My review of last week's episode: Gently With the Women

It's not really a proper George Gently series until George battles evil in high places (last week, it was only mid-places). Now he must cope not only (as per usual) with corruption in the ranks, but the vast bulk of corporate crime, as well as his bickering subordinates.

After a brisk morning run, George dashes off to investigate the suspicious suicide of Valerie Cullen. All seems straightforward, but George isn't convinced. He starts to delve into her past. She's a doctor, suffered from depression, and was estranged from her smarmy husband - also a doctor. Eventually, it becomes apparent that Valerie had been investigating health violations at an old factory - a fact which many people resented.

Curtain: Poirot's Last Case - Episode Review

My review of the previous episode: The Labours of Hercules

I promised myself that I wouldn’t start this review with a personal anecdote. I wouldn’t say that I’ve been watching Agatha Christie’s Poirot since I was around five or six, that Poirot and co. have been constant comfort food throughout my childhood. I wouldn’t say how very close David Suchet’s little Belgian was to me.

So now I haven’t said all that, I will say: AGH IT’S OVER. MY CHILDHOOD HAS DIED.

QUOTHTHERAVENNEVERMOREAAGH.

Okay, that’s done.

Inspector Lewis - Beyond Good and Evil - Episode Review

My review of last week's episode: The Lions of Nemea

Need a MacGuffin to inject drama into your season finale? Add a serial killer with a grudge against your hero!

Let's face it, the story is pretty clichéd, but psychopaths have a way of upping the tension in any story, and it's no different in Beyond Good and Evil.

Graham Lawrie, a Scotsman with a rictus of a face, has been in prison for thirteen years. A newly minted Inspector Robbie Lewis put him away in 2001 for allegedly murdering three policeman with a hammer. Now, fresh evidence has cast the verdict into question, and another murder with an identical method adds further force to Lawrie's appeal.

Inspector Lewis - The Lions of Nemea - Episode Review

My review of last week's episode: Entry Wounds

Murder in Oxford! Panic in the streets!

Well, British panic—which means we’re suitably upset about the whole thing but couldn’t we hush it up quietly?

This Lewis episode brings us back to the heart of England’s deadliest city when Rose Anderson, a graduate in classics, is found stabbed to death alongside a canal.

Inspector Lewis - Entry Wounds - Episode Review

Sidekick promotion has always proved somewhat of a stickler for long-running detective shows. There’s some reshuffling of authority, which can often produce manufactured drama. In Morse the transition was rocky, as an ailing Morse had so little confidence in his sergeant’s abilities that he shadowed him incognito, much to Lewis’s dismay.

This time around, Superintendent Innocent has recruited a retired Robbie Lewis as back-up for newly promoted D.I. Hathaway. Hathaway is not too hip on this idea, and does his usual Brooding number. Unsurprisingly, we only get half a glimpse of his motivations, something involving doubts and faith and insecurity, probably, and also some trip to a church in Spain, and now he’s in a bad mood and nobody knows why, even him. Is this just me? It’s what makes the character interesting, but also frustrating—he is just sort of a vague intelligence without reality. Morse, on the other hand, was constantly displaying tangible flaws, and his existential ponderings had real weight because of it.

My 5 Favorite Con-Men

Regular readers here at Longish will know that I'm more than a little obsessed with British detectives. So now, for a change of pace, let's get to know my favorite British con-men. There are a few conditions—con-men are not criminals of the vulgar sort. No, indeed; these dashing figures eschew unsophisticated fisticuffs, and make do with intelligence and witty repartee. For this reason I would not nominate Moriarty (his weapon is strategy, a general of the underworld), though I would almost nominate Saruman (disqualified because his witty repartee stems from an enchantment.)

Also, they must be loads of fun. Let's start with the most fun of them all...

Agatha Christie's Poirot - Dead Man's Folly - Episode Review

My review of last week's episode: The Big Four

Like most TV shows throughout the last decades, Agatha Christie's Poirot has become progressively darker, but Dead Man's Folly is a welcome return to a simpler age (similar to The Big Four, which I had not seen when I first saw this episode). Yes, a simpler age with murder, adultery, and other deadly sins, but they're all mercifully off-screen, and I'll have no qualms in watching this with my younger siblings. (True enough, I love the Suchet adaptation of Orient Express, but it's nice to have something lighter once again.)

With summer in the air, wealthy squire Sir George Stubbs and his fragile, childlike wife Hattie plan a grand fête for their Devonshire neighbors to celebrate their recent acquisition of Nasse House. Fancy dress, fortune telling, and a coconut shy are all scheduled, as well as a murder hunt designed by mystery novelist Ariadne Oliver. But Mrs Oliver is convinced something is amiss, and asks Hercule Poirot to attend the festivities as a means to put her mind at rest.

In this classic Christie plot, we have an enormous cast of barely distinguishable British suspects, a garden fete, a murder. The first half the plot is heavy on exposition, and feels a little staged as character after character walk up to Poirot and begin to talk about themselves and their backgrounds. The cast would have been much more manageable if several characters had been cut, but the significant ones stick out just enough to remember who's who. The necessarily heavy amount of suspect interviews is relieved by inter-cutting punctuated with moments of Mrs. Oliver. Cadfael and Lewis fans will notice Hugh Beringar (Sean Pertwee) and Superintendent Innocent (Rebecca Front) among the crew.

Agatha Christie's Poirot - The Big Four - Episode Review

[Originally posted at Longview.]

And so it begins. The gang is officially together again for the first time in thirteen years (though also the last, for Japp and Ms. Lemon.) Unfortunately, it’s only for a few scenes in this eccentric but enjoyable addition to the Poirot series. The Big Four was Agatha Christie’s attempt at a conspiracy thriller, mixed among the usual Poirot body-in-the-library cases. She couldn’t quite leave that format behind, and her conspiracy conveniently takes the shape of multiple murders in country houses. Mark Gatiss and Ian Hallard’s adaptation is at its strongest when it is focusing on these quirky, clever episodes.

Upcoming BBC Mystery - 2014, 2015

This is older information - for the latest, follow this link. 

Endeavour - 2nd season. Americans can catch this excellent Inspector Morse prequel every Sunday on PBS, from July 6 to July 20. Bringing back Shaun Evans as Endeavour Morse, and the lovely Roger Allam as his ursine mentor, Inspector Fred Thursday, the show follows the pair as they investigate a series of murders among Oxford's evocative spires. Needless to say, there shall be opera, ale, romance, and old cars. For those of you who can't wait, check out my reviews: Trove, Nocturne, Sway, and Neverland.

Agatha Christie's Poirot - 13th and final season. At last, we on this side of the pond are going to see the conclusion to the long-running series starring David Suchet as the eponymous Belgian. The old cast members, Hugh Fraser, Philip Jackson, and Pauline Moran, will reprise their roles as, respectively, Captain Hastings, Inspector Japp, and Miss Lemon. Two episodes will air on the PBS Sundays after Endeavour, July 27 and August 3 - these two, and the last three will be exclusively online at Acorn.tv every Monday from July 28 to August 25. Update - Reviews thus far: The Big Four, Dead Man's Folly, Elephants Can Remember, The Labours of Hercules.

Gracepoint - 1st season. Already filmed, and also starring David Tennant, this American remake of the superb British miniseries Broadchurch will air this fall on Fox. Frankly, I'm skeptical. The trailer seems a point-for-point copy of the original - nothing unique. Another thing: will they keep the religious element? It was essential. My review of the original.

Endeavour Season 2 - Neverland - Episode Review

My review of last week's episode: Sway

The season finale begins with Nunc Dimittis, the Canticle of Simeon (here's a good recording):

Lord, now lettest Thou Thy servant

depart in peace
according to Thy Word,
for mine eyes have seen Thy salvation
which Thou hast prepared
before the face of all people.
To be a Light to light on the Gentiles
And to be the glory of Thy people Israel.
Glory be to the Father
And to the Son
And to the Holy Ghost,
As it was the beginning,
Is now and ever shall be,
World without end. Amen.

The music is intercut with scenes of D.I. Thursday who, like Morse at the very beginning of the season, is taking a medical exam. Resembling Simeon, Thursday feels the encroachment of age, and the advent of a younger generation. We’ve always known that, however enjoyable, the Thursday-Morse partnership couldn’t go on forever. From the first moments of Neverland, we feel that gentle shift begin.

Endeavour Season 2 - Nocturne - Episode Review

My review of last week's episode: Trove

This week’s episode of Endeavour takes a Scooby-Doo twist, complete with a haunted mansion, creepy little girls, and a historical mystery. Most series have one or two murder-in-the-past episodes, practically all the Sherlock Holmes short stories have some link to history, with Poirot it’s Five Little Pigs and Elephants Can Remember, with Father Brown The Sign of the Broken Sword, with Morse The Wench is Dead. 

Endeavour goes back to a mass murder in the 1800s. Morse becomes involved while investigating a murder in a museum. Questioning witnesses leads him to a girls’ school, where a small band of students are staying for the summer holidays. Soon enough he senses foul play and delves into the place’s history, discovering the legend of Bloody Charlotte, the only survivor of the Victorian massacre, and possibly the culprit.

Needless to say, this means the house is haunted, and quite a few heart-thumping sequences ensue. Honestly, Morse and Thursday (while showing their usually quality) take backseat to the small, earnest drama in the school, and the excellent performances from the young actresses. 

Endeavour Season 2 - Trove - Episode Review

My review of last year's season finale: Home

Endeavour Morse has always been the Doctor Who of detectives—a dynamic main character who draws us through plots of varying degrees of ridiculousness. If you can’t laugh at the inherent absurdity, it simply will not work. This episode is particularly tangled, with three wildly different threads turning out to be connected. I think.

Shaun Evans and Roger Allam return for a second series of this popular prequel to Inspector Morse, starring as, respectively, D.C. Endeavour Morse and his mentor-cum-sidekick, the lovingly decent Inspector Thursday. Overall, the episode is a welcome return to the homicidal society of Oxford (I immediately smiled to hear the closing theme song).

Broadchurch - By Grace Ye Have Been Saved

[The first of a series of posts which bind my twin loves, philosophy and TV detectives, for no reason whatsoever. Next up: Inspector Morse: The Transcendence of Art, Sherlock Holmes - The Aragorn Complex. Upcoming: Foyle's War and moral absolutes.]

“A solemn consideration, when I enter a great city by night, that every one of those darkly clustered houses encloses its own secret...that every beating heart in the hundreds of thousands of breasts there, is, in some of its imaginings, a secret to the heart nearest it!”

~Charles Dickens, A Tale of Two Cities


Broadchurch isn't a murder mystery. Sure, there's a whodunit at the center of the plot, but that's not really what it's about. Instead of whisking in a clever clogs London detective who then, having dispensed almost divine justice, sweeps cleanly out of the aftermath, Broadchurch places its two main characters directly in the path of the storm.

Foyle's War - Sunflower Episode Review

My review of last week's episode: The Cage

One of the greatest attractions of murder mysteries are the conclusions. After a dramatic confrontation (usually in the library, surrounded by a group of suspects), the crook is bundled off to an undisclosed but hopefully sinister end. Lord Peter Wimsey observed that “in detective stories virtue is always triumphant. They’re the purest literature we have.” On the other hand, in spy stories, corruption and lying are often rampant on both sides, and stories end in a muddle of gray. James Bond is not paragon of justice.

This mix-up of the two genres worked for the first two episodes, but Sunflower comes dangerously close to compromising the entire premise of the show. In this episode, Foyle is tasked with a mission he finds very unpleasant: protecting a Nazi. Karl Strasser is making up for a dark history by feeding MI5 Soviet secrets, but he’s begun to receive death threats. Queue Foyle, the world’s worst bodyguard. His efforts on Strasser’s part seem only half-hearted.

Endeavour - Fugue - Episode Review

My review of last week's episode

In a modern world abounding with death and moral ambiguity, there are few things we all agree are truly evil. I resist making a joke about the IRS. Seriously, some things are just bad. Pretty much everyone will place serial killers high on the Unquestionably Evil list. The fear of serial killers is more than just fear of death, it is fear of powerlessness, fear of a seemingly omnipotent, viciously evil force—killers are popularized to the point that they cease to seem like human beings.

Dealing with a serial killer villain is shaky territory. I’ve seen many TV shows capitalizing on this paranoia by diving deep into the psyche of the murderer, and showing little goodness to offset it. On the other hand, shows like Dexter trivialize the horror and subvert the clear demarcation of good and evil. 

The latest installment of Endeavour is some pretty terrific television, reminding me of the slick perfection of Sherlock. It neither blurs the moral lines, nor grants the villain super powers, accomplishing both these things without sacrificing suspense.