Monday, February 24, 2020

Endeavour Series 7 - Raga - Review

My review of the previous episode: Oracle

If I felt that last week's episode left some arcs oddly unresolved, this week's story shows why that was. We find the main cast embroiled with the same conflicts which started in episode one. Endeavour is still being courted by Ludo Talenti - figuratively? the man does seem very flirty - and certainly literally by Violetta Talenti. I'm almost suspicious that Ludo and Violetta are setting Morse up somehow. Ludo clearly seems to have some ulterior motives for renewing his friendship with Morse.

The investigation into the man with the slit throat on the tow path is ongoing. Morse thinks it's clearly a different case from the Molly Andrews murder, which seemed to be nicely wrapped up in the previous episode. Professor Blish, of course, didn't explicitly confess to the murder, which bothered me at the time, but this coyness was actually the writer's intentional choice - to allow Thursday's doubt to continue. And continue it does, to the point that Thursday has been following around his preferred suspect, the dead girl's boyfriend, Carl Sturgis, after hours. This seemed indefensible at first, until Thursday hears the same eerie whistling that turned up in the first episode. Could that be the girl with the sword? Or is the real killer still loose?

The actual story of the episode centers on two murdered Pakistani men. The first instance was clearly a killing motivated by racism, albeit the panicked, probably unpremeditated racism of a stupid young skinhead calling himself Gary Rogers (played by Roger Allam's real-life son, William). His hatred was ginned up by a local conservative politician. He lives with his mother, Mrs. Radowicz (played by Roger Allam's real-life wife, Rebecca Saire - and who showed up in series 5 previously in the same role).

The A plot is that of a murdered delivery man, Mr. Aziz, who's killed right as he steps into the flat where he's dropping off food. He works for the Jolly Rajah, a restaurant operated by a multi-generational Pakistani family. The father, Uqbah Sardar, is suffering the early stages of dementia, but refuses to stop working. His brother, Rafiq, slaves away in the kitchen, and his two sons, Farook (a doctor) and Salim (married to Nuha) are poised to inherit their father's money.

The dead man died in the flat of Oberon Prince, a famous food critic. Prince goes missing immediately after the murder, which shoots him up the list of suspects. His ex-wife, Rosemary, tells Morse that her former husband could be violent when he drank. Her brief interview is so long and well-acted that I was convinced she was the real Number One Suspect.

In the same apartment building is Ilsa Trent, Martin Gorman's daughter. She's having an affair with Farook. Everyone knows everyone in this case, it seems like.

The theme of this story is guilt - and more specifically, sin. "Do you believe in sin?" Violetta asks Morse.

"No," he says, though he adds, later, "I'm not very good at forgiveness."

A difficult situation - to not believe in sin and yet be unable to forgive!

It's a strange episode, this - this will be the first series of Endeavour which is only three episodes, so the story almost feels like an unusually long film, with this as the middle act. The family drama at the center of the story is engaging, but the final solution is logistically unlikely. My suspicion for a while has been that the next series (Endeavour has been renewed for another season) will be the last, and this season so far feels a bit like the show treading water before a big finale. Big status quo shifts are not really on the table for the characters. But perhaps they'll turn up in the next episode.

That's not really a criticism - I do find the throughlines of the story intriguing - is Thursday pursuing a phantom or a reality? Is Morse being set up by two bored rich people - and if so, why? He has no money to give them - and I can think of no reason why they'd want revenge. But there's something definitely not right about the way both of them seem intent to seduce him.

Speaking of seduction...

  • Thursday's canaries! 
  • Russell Lewis is so good with those little character grace notes - the gentle shadings, the unexpected line of dialogue that cuts to the heart of the matter. The most touching scene of the episode is between Thursday and Mr. Sardar, as the older man (an excellent Madhav Sharma) says, "I feel like I'm fading. There's a darkness at the edge of sight, slowly creeping in--" he says this, describing how he can't abandon work, which is the exact problem Thursday has, "--and the more you look out of the corner of your eye, the more it slips out of view. But I know it's there." And then, finally, an achingly sad expression of regret for his own stinginess. Thursday: "You should have said." Sardar: "I should have paid him more."
  • "Violetta hates the opera." How can Morse possibly be attracted to this woman? (Of course, they met at the opera, so perhaps she's lying to her husband about her musical tastes too.)
  • I nearly thought Strange's seductive cooking may have been for Joan, until her mother said she was off on secondment. Who is the mysterious Strange Bae? 
My review of the next episode: Zenana

My reviews of Endeavour:
Series 1
Series 2
Series 3
Series 4
Series 5
Series 6



  1. The opening scene's depiction of a pre-show cinema advert was dead-on for the ones that Cineplex Odeon was showing circa 1983, the summer I lived in W9.

  2. Hi! I've enjoyed watching the recent series of Endeavour, and was very moved at the scene in the mortuary with the Allam family. Son William lying on the slab, and mother Rebecca, hysterical with grief, while father Roger looks on. Beautifully played, and well done to all.


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