[First of a series on female characters, feminism, and all that jazz. Haven't got it all worked out yet, but expect posts on The Phantom of the Opera, The New World, and more.]
When it comes to period drama, it's best to go British. Happily, despite the fact that Agent Carter is produced in America, it features the very British Hayley Atwell in the title role of Peggy Carter, which is nearly the same thing.
When it comes to period drama, it's best to go British. Happily, despite the fact that Agent Carter is produced in America, it features the very British Hayley Atwell in the title role of Peggy Carter, which is nearly the same thing.
Taking up a few years after Captain America: The First Avenger left off, the first episode of Agent Carter finds Peggy (a luminous Atwell) struggling to readjust to civilian life. By what was surely some catastrophic bureaucratic error on high, Peg has been confined to an office job, serving coffee and pushing paper for a bunch of sexists. This has left her pretty depressed, feeling not only inadequate, but sorrowful, flashing back to her last moments talking to Steve Rogers. Thankfully, this morose introspection is interrupted when she's enlisted by Howard Stark (father of Tony, played by a delightfully mischievous Dominic Cooper) to help clear his name. Stark has been accused of selling weapons to the enemy - when, in fact, some super-sinister organization is behind it all.