It’s always hard
to find an effective motif for a CD, but Love
& War succeeds several times. Throughout the record, as hinted by the
title, flows the image of the ocean, the metaphor of marriage, and frequent
references to battle—yet the album is held together by the hopeful
promise of God: our pilot in the storms; our husband, longing for the wedding
day; our king in the chaos of war. Garrels uses these core ideas to form a very
strong internal story. There is the additional theme of a journey, while each
song remains a separate destination.
The album opens
with White Owl, the tale of a
believer living in the dark, with the promise that
“Every dream that
you have been shown
Will be like living stone
Building you into a home,
A shelter from the storm."
The image of a
“living stone” foreshadows the many, many references to the Book of Revelation.
In the reworking of the hymn Farther
Along, there is another conclusion assuring
“Every knee must
bow and tongue confess
That the son of
god is forever blessed
His is the
kingdom, we’re the guests
So put your voice
up to the test
Sing, Lord, come
soon.”
In the song Ulysses, my favorite, Garrels turns the story of The Odyssey into both a moving, wistful love
song and an allegory for Christ’s journey to us and our journey to Him. (A
great examination of that song exists here.) For those of you who don’t know the
story, The Odyssey is the tale of
Ulysses, a Greek hero who, following the Trojan War, travels back home through
the treacherous seas of the Mediterranean, to find his wife, Penelope. He runs
into any number of obstacles, including a cyclops, calling sirens, the monster Scylla
and the whirlpool, Charybdis, but ultimately returns and is reunited with his
bride. Garrels writes the song from Ulysses’ POV, and with gentle irony and
aching nostalgia, delivers the beautiful chorus:
“I’m sailing home
to you,
I won’t be long.
By the light of
the moon,
I will press on.”
It's a truly amazing song, but I won't spoil the rest of the lyrics - check it out yourself.
Beyond the Blue is another reminder of the hope of heaven, and Sailor’s Waltz continues the oceanic
theme. Revelator unearths the theme
of Revelation overtly, with a dramatic retelling of John’s visions. Pilot Me entreats God to guide us
through wild waves:
“I will arise and
follow you over
Savior, please,
pilot me.
Over the waves
and through every sorrow
Savior, please,
pilot me.
When I have no
more strength left to follow
Fall on my knees,
pilot me.
May your sun rise
and lead me on
Over the seas, Savior,
pilot me.
O Lord.”
It probably
shouldn’t be surprising that the album ends with Processional, an acoustic song with keening background vocals – a reminder
of the ultimate wedding, at the end of the long voyage home, through the
battlefields of Revelation. Very few Christian artists manage to capture me
with the strength of their lyrics, though simple catchiness is common. Garrels
has achieved both, with a unique and evocative style that, while taking a while
to get used to, is captivating.
Longish
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