Tuesday, February 25, 2020
My review of the previous episode: Raga.
Is it the 1980s yet? I feel like I just lived an entire decade in one episode. Rocketing from one plot twist to another, with red herrings galore and operatic aspirations, Zenana is certainly never dull. But is it good?
The story starts with yet another tow-path murder. Thursday is furious. It's the young woman he'd warned in the previous episode, Bridget Mulcahy. He has some strong words for Morse, who remained convinced that Professor Blish was the tow-path killer. The chef, Tony Jakkobsen, was killed in an unrelated incident, Morse thought. But with Bridget's murder, it seems undeniable that the killer is still at large.
Monday, February 24, 2020
My review of the previous episode: Oracle
If I felt that last week's episode left some arcs oddly unresolved, this week's story shows why that was. We find the main cast embroiled with the same conflicts which started in episode one. Endeavour is still being courted by Ludo Talenti - figuratively? the man does seem very flirty - and certainly literally by Violetta Talenti. I'm almost suspicious that Ludo and Violetta are setting Morse up somehow. Ludo clearly seems to have some ulterior motives for renewing his friendship with Morse.
Monday, February 10, 2020
For the first time since 1992, we are in a Morse episode set in a different country. Morse is in Venice, falling for a pretty Italian woman named Violetta. He's not there long, but it starts the story - and the new decade (1970s, 2020s) - off on a romantic foot.
Meanwhile, in Oxford, foul play is afoot. A woman, Molly Andrews, is murdered on a towpath. Thursday is convinced the killer was Carl Sturgis - the dead girl's boyfriend, which Morse calls into question fairly quickly on his return to duty. Bright isn't alarmed, but he assigns Morse to revisit the case, which creates conflict between Thursday and his former protege.