In Memoriam: Anthony Valentine

Anthony Valentine, who died two weeks ago, was one of my first TV crushes. Suave, reptilian, and utterly charming, his charisma swept my teenage self off my feet. Of course, it helped that he was British. I've always had a weakness for our Anglo-Saxon brethren. And even better, he was incredibly funny.

I was first introduced to Valentine through his portrayal of the dashing gentleman thief, A.J. Raffles, on DVD. The show was from 1977, and these days looks rather clunky and dated, but Valentine's performance remains a masterpiece, sparkling with wit and charm. The part was perfectly suited to his talents (Nigel Havers and Ronald Colman don't hold a candle): Raffles is Sherlock Holmes's evil twin - a genius cat burglar in Victorian England, his adventures chronicled by a bumbling, fawning sidekick - Harry "Bunny" Manders (Christopher Strauli). The two men swan about through high society, robbing the arrogant rich to give to the deserving poor (in this case, themselves), dogged by an intrepid, friendly, but stupid police inspector (in this case, Mackenzie), in stories written by a member of the Conan Doyle family (in this case, Sir Arthur's brother-in-law, E.W. Hornung).

Curtain: Poirot's Last Case - Episode Review

My review of the previous episode: The Labours of Hercules

I promised myself that I wouldn’t start this review with a personal anecdote. I wouldn’t say that I’ve been watching Agatha Christie’s Poirot since I was around five or six, that Poirot and co. have been constant comfort food throughout my childhood. I wouldn’t say how very close David Suchet’s little Belgian was to me.

So now I haven’t said all that, I will say: AGH IT’S OVER. MY CHILDHOOD HAS DIED.

QUOTHTHERAVENNEVERMOREAAGH.

Okay, that’s done.

Agatha Christie's Poirot - The Labours of Hercules - Episode Review

My review of last week's episode: Elephants Can Remember.

It's practically a fact of nature that if you're cooped up with a number of people in a house in the snow, someone will be dead by the end of the weekend. If a small rotund Belgian man is there, you might as well call up friends (after calling your family solicitor) and say goodbye.

Complete with the requisite creaks in the night, the latest Poirot episode, The Labours of Hercules, must have been extremely difficult to adapt. The original consisted of a dozen quirky, loosely related short-stories, which culminated in a night-club called Hell (really). The adaptation picks a few of the best elements and combines them into a charming but bittersweet tale that feels unique in all the Poirot canon. We have German psychology, a dastardly serial killer, eccentric, hilarious foreigners, gorgeous vistas in a setting reminiscent of Wes Anderson's Grand Budapest Hotel, and the return of our favorite femme fatale, Countess Vera Rossakoff (and if you don't know who that is - SHAME - watch The Double Clue.)

Agatha Christie's Poirot - Elephants Can Remember - Episode Review

My review of last week's episode: Dead Man's Folly

A couple, General and Mrs. Ravenscroft, walk along the white cliffs of Dover, arm-in-arm. The dog runs ahead, barking happily. They smile at one another. A few seconds later, a shot rings out, and the two lie dead.

Thus kicks off the climactic season of Agatha Christie’s Poirot, running circa 1989. Despite an added storyline involving murder by hydrotherapy (a psychiatric treatment in which the patient is blasted with scalding then freezing water), this episode is not as uniformly dark as Murder on the Orient Express, the intense conclusion to the previous season.

Ariadne Oliver’s appearance adds a good element of humor. Her slapdash, jovial demeanor is the perfect foil to Poirot’s fastidious world-weariness (which has become a little old—dude, one smile won’t hurt.) During the reception for her Crime Novelist of the Year award, Mrs. Oliver is cornered by the formidable Mrs. Burton-Cox, a mother with an ax to grind. Does she remember her goddaughter, Celia Ravenscroft? Yes, well, what she wants to know is did General Ravenscroft kill his wife, or did Margaret Ravenscroft kill her husband?

Agatha Christie's Poirot - Dead Man's Folly - Episode Review

My review of last week's episode: The Big Four

Like most TV shows throughout the last decades, Agatha Christie's Poirot has become progressively darker, but Dead Man's Folly is a welcome return to a simpler age (similar to The Big Four, which I had not seen when I first saw this episode). Yes, a simpler age with murder, adultery, and other deadly sins, but they're all mercifully off-screen, and I'll have no qualms in watching this with my younger siblings. (True enough, I love the Suchet adaptation of Orient Express, but it's nice to have something lighter once again.)

With summer in the air, wealthy squire Sir George Stubbs and his fragile, childlike wife Hattie plan a grand fête for their Devonshire neighbors to celebrate their recent acquisition of Nasse House. Fancy dress, fortune telling, and a coconut shy are all scheduled, as well as a murder hunt designed by mystery novelist Ariadne Oliver. But Mrs Oliver is convinced something is amiss, and asks Hercule Poirot to attend the festivities as a means to put her mind at rest.

In this classic Christie plot, we have an enormous cast of barely distinguishable British suspects, a garden fete, a murder. The first half the plot is heavy on exposition, and feels a little staged as character after character walk up to Poirot and begin to talk about themselves and their backgrounds. The cast would have been much more manageable if several characters had been cut, but the significant ones stick out just enough to remember who's who. The necessarily heavy amount of suspect interviews is relieved by inter-cutting punctuated with moments of Mrs. Oliver. Cadfael and Lewis fans will notice Hugh Beringar (Sean Pertwee) and Superintendent Innocent (Rebecca Front) among the crew.

Agatha Christie's Poirot - The Big Four - Episode Review

[Originally posted at Longview.]

And so it begins. The gang is officially together again for the first time in thirteen years (though also the last, for Japp and Ms. Lemon.) Unfortunately, it’s only for a few scenes in this eccentric but enjoyable addition to the Poirot series. The Big Four was Agatha Christie’s attempt at a conspiracy thriller, mixed among the usual Poirot body-in-the-library cases. She couldn’t quite leave that format behind, and her conspiracy conveniently takes the shape of multiple murders in country houses. Mark Gatiss and Ian Hallard’s adaptation is at its strongest when it is focusing on these quirky, clever episodes.

Upcoming BBC Mystery - 2014, 2015

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Endeavour - 2nd season. Americans can catch this excellent Inspector Morse prequel every Sunday on PBS, from July 6 to July 20. Bringing back Shaun Evans as Endeavour Morse, and the lovely Roger Allam as his ursine mentor, Inspector Fred Thursday, the show follows the pair as they investigate a series of murders among Oxford's evocative spires. Needless to say, there shall be opera, ale, romance, and old cars. For those of you who can't wait, check out my reviews: Trove, Nocturne, Sway, and Neverland.

Agatha Christie's Poirot - 13th and final season. At last, we on this side of the pond are going to see the conclusion to the long-running series starring David Suchet as the eponymous Belgian. The old cast members, Hugh Fraser, Philip Jackson, and Pauline Moran, will reprise their roles as, respectively, Captain Hastings, Inspector Japp, and Miss Lemon. Two episodes will air on the PBS Sundays after Endeavour, July 27 and August 3 - these two, and the last three will be exclusively online at Acorn.tv every Monday from July 28 to August 25. Update - Reviews thus far: The Big Four, Dead Man's Folly, Elephants Can Remember, The Labours of Hercules.

Gracepoint - 1st season. Already filmed, and also starring David Tennant, this American remake of the superb British miniseries Broadchurch will air this fall on Fox. Frankly, I'm skeptical. The trailer seems a point-for-point copy of the original - nothing unique. Another thing: will they keep the religious element? It was essential. My review of the original.

2014 BBC Mystery

Source

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My last mystery post, on 2013 mysteries, had several series that are still yet to come out, but their release date is a little bit more certain.

Sherlock Season Three is now certainly coming out in 2014, with a January 19 release date for the U.S. The Beeb has also announced a December 25 minisode, though whether that'll extend to us on the other side of the pond has yet to be seen. Needless to say, the hype is getting pretty loud, since it's been two years since season two's cliffhanger ending, and the speculation is intense. The greatest question is: why does Watson have a mustache?

Martin Freeman's real life partner, Amanda Abbington, will be joining him on-screen as his wife, Mary Morstan, which ought to be fun. Lars Mikkelson is signed on as the new villain, and certainly has large shoes to fill after the amazing Andrew Scott.

A Murderous Bunch - The British Mystery 2013 Line-Up

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The BBC's mystery list for 2013 has me tickled pink. First up, more episodes of my favorite detective show: Foyle's War, starring Michael Kitchen.

Following the end of WWII, Foyle plunges into the Cold War as an MI5 agent, taking on Soviet spies and corruption in high places. I worry a bit that the shift in tone will alter the feel of the show. After all, in the last three episodes, Foyle took on racism with African Americans, and it was hinted that James Devereaux (played by Andrew Scott, a.k.a. Moriarty) might be Foyle's illegitimate son. Still, despite the shaky territory (and a slight swing in a politically correct direction), as far as I remember, Foyle was the same old modest upright fellow as in earlier series. He's one of the few characters on TV with (mostly) Christian morals who is not caricatured, or changed. Hopefully that is how he will remain. Anthony Horowitz also says that this series will be the last he writes.

Here's the first trailer, featuring very un-Foylish music:

Detective Design



This pic makes me grin like an idiot every time I see it
Jeremy Brett, David Suchet, Peter Davison, John Thaw, or: Sherlock Holmes
Hercule Poirot, Albert Campion/Dangerous Davies, Inspector Morse


I've been a fan of murder mysteries for a long time, but this year in particular I've been bombarded by mystery shows, movies, and books. We watched the RDJ/Jude Law Sherlock Holmes movie in the spring (an abomination, most Sherlockians say, but I thought it was fun), were then prompted to watch the first season of Sherlock (wonderful, most Sherlockians say, and they’re right).

From there, along with our old favorites (Poirot, Inspector Alleyn, Miss Marple, Cadfael) we moved on to Foyle’s War, Midsomer Murders, Murdoch Mysteries, Inspector Morse, and Campion. Right now I'm into Dorothy L. Sayers's Lord Peter Wimsey novels and am watching Hetty Wainthropp Investigates. I have two Charles Finch novels on my book shelf, and me, my mom and dad are halfway through Inspector Morse series.

So, needless to say, if you need to know how to kill someone, talk to me.

Up and Coming British Mystery

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The year of 2013 isgoing to be a great one for British mystery buffs. Like, say, yours truly.

First on the list is my personal favorite: Hercule Poirot. For the last twenty-some years, he’s been portrayed (quite excellently, I might add) by David Suchet.

David Suchet as Hercule Poirot

I remember watching Poirot episodes when I was a small child, and I’m still watching and loving the series. But in the next year or so the eccentric little Belgian’s TV career will draw to a close, which is causing me some serious nostalgia. Later this year, shooting will begin on the last five episodes of the Poirot canon. With the exception of one short story (“The Lemesurier Inheritence”), Suchet will have filmed every Poirot tale that Agatha Christie ever wrote, which is a huge accomplishment. I just realized a few weeks ago that I’ve now watched every single one so far - all sixty-five of them.

The show itself is great - the costumes, settings and acting are usually stellar. It's just icing on the cake to know that David Suchet is, in fact, a Christian - a rare thing in actors, much less British ones. The post-2004 episodes have become much heavier than the light fare of the 90's, but it's not such a bad thing. It took a bit of getting used to and I won't deny that I miss the regular cast of the good old days (Hastings, Miss Lemon, and Inspector Japp), but the darker themes (such as religion and capital punishment) place Poirot in totally new situations and reveal a lot about his character in a more mature setting.