However, series 7 has returned Christopher Foyle to familiar ground: wartime corruption and
intrigue. At the same time, the world is radically different. Episode 1 opens
in the New Mexico desert with the test of an atomic bomb. This ain’t The Body in the Library. It’s the Cold
War, and the stakes have been raised—the Soviets are the new enemy. Foyle is
trapped into working for MI5 in a dilemma worthy of an Alex Rider novel (which
would make sense, Mr. Horowitz.) Foyle is called upon to investigate a Russian
defector and a possible band of spies: the Eternity Ring. Thus ensues a twisty espionage
caper, probably a bit too complex, but thoroughly enjoyable.
Meanwhile, Sam
Stewart, Foyle’s old driver, is back in fine form. She’s now Sam Wainwright,
the wife of a young Labour candidate, and their relationship forms the subplot.
Adam Wainwright is the weakest point in the episode (not counting a superfluous
storyline). I don’t agree with Adam’s politics, but that’s no reason to dislike
the character - and it’s not my reason. What I do I dislike is the fact that he’s not a
politician. He’s spineless, non-charismatic, and one-dimensional. While I could
believe, and appreciate, the presence of a truly sincere politician (it’s not
strictly anathema), liberal or otherwise, I cannot believe in one who doesn’t
have the requisite skills to do the job. Adam never once delivers a real
speech, but gives the occasional predictable party line. Alongside the
ebullient, fully-rounded Sam, he fades into the background. Just a little
originality, please. And some charisma. Leader of Men.
(Aside: This is
similar to military characters in earlier episodes. They didn’t act like
soldiers. Half their spunk in front of an officer would’ve gotten a real
soldier dishonorably discharged. That goes for officers too, far too little
discipline.)
But now I’ve
gotten that off my chest, I think The
Eternity Ring might be one of the finest episodes of the show so far. And that's saying a lot because there are some darn good ones.
Besides the
indispensable Sam, Foyle has a new pair of co-stars. Ellie Haddington reprises
her role as the marvelously mysterious Mrs. Pierce, and Tim McMullan is Valentine,
Foyle’s shifty colleague. The cast is stellar all-round.
Corruption,
secrets, and treason abound on both sides. Even the lighting has taken a darker
tone, with the brightness of Hastings replaced with gray post-war London. The shift is perfect. Foyle’s métier has always been tense confrontations with
bureaucrats and self-justifying lawbreakers, and this new setting is practically tailor-made for such show-downs. While this could easily spin into melodrama, Michael
Kitchen’s cool-headed, eloquent, upright Foyle keeps us grounded. Let's hope he always will.
My review of next week's episode: The Cage
My review of next week's episode: The Cage
4.5/5 stars
Longish
Hello, Hannah, it's Caroline from over at NaNoWriMo! I just checked my messages and found the link to your blog...oddly, my mother showed me your blog this week since my dad and your dad are actually acquaintences or something? I don't really keep up with his contacts so I had no idea! But anyway, I'm delighted you gave me this link. I haven't read the post yet, although I intend to. :) My blogger username should direct you to my blog, which I've been updating quite a lot recently since it's the only real writing I can get in due to school.
ReplyDeleteThis episode seems to be missing on my catch up where is it
ReplyDeleteThanks for your reviews etc. I'm a fan of all these BBC shows. I've just been watching Series 7, and as "The Hide" was winding up, I thought I'd look in, only to find your reviews start at "The Eternity Ring", so will watch Season 8 now, and try to keep it all straight. Saw your mention that Hilda Pierce is back, which confirmed it. Although I do get her mixed up with Anna Massey's role in, what was it, Morse, or probably Midsomer. And I can't remember which one showed Barnaby the general at the end of the drive and said that line about the real bullies in the playground. Since all these fine BBC detective shows and English country house dramas came on line, I've rarely slept a night without one of the episodes of one of these shows playing on through the night. In general, it has been a real pleasure seeing the work of so many actors (the term now includes both male and female, I believe) grow with different roles over the years, in all the roles in all the shows. Often it takes a while until I realize "Oh! That's so and so who played so and so in such and such in, was it 1987 or 2002- " I don't know much about Shakespeare at all, and little about English literature and the history of English drama, but still it seems to me that were we now in the semi-mythical, now-glorified age of The Bard and his plays going off at your local playhouse kind of thing, the actors we see on all these modern BBC shows would be the same ones playing the roles. Actually, they probably still do exactly that, many of them, when not making these dramas for television. Their professionalism, their subtlety, the multilayered scripts- that is, stories which become more mysterious and more complex and brilliantly structured upon repeated viewings. So, thanks for your work. Well done.
ReplyDeleteThe Routemaster bus shown at the beginning was not introduced until 1956. Just saying!
ReplyDelete