Showing posts with label Jeeves and Wooster. Show all posts
Showing posts with label Jeeves and Wooster. Show all posts

Wednesday, October 16, 2013

Happy Birthday, P.G. Wodehouse


I grew up watching Stephen Fry and Hugh Laurie as, respectively, omniscient valet Reginald Jeeves and spineless but eloquent aristocrat Bertie Wooster. Wodehouse's books, while light weights, are a beautiful example of meticulous attention to excellence. Yes, they're romantic comedies, but they're the best romantic comedies you'll ever read. The father of modern comics like Terry Pratchett and Stephen Fry, and continuing the grand tradition of G.K. Chesterton and Jerome K. Jerome, Wodehouse was one of the funniest men to have ever lived.

I'm perfectly aware that I'm a day late. I'm also very ashamed of myself for not having a post prepared.

In penance, I hereto link to two excellent posts on P.G. Wodehouse. The first is for the new initiates:

"Simply put, Wodehouse is a black belt metaphor ninja."
Who Is P.G. Wodehouse, and Why Should It Matter to Us? - by Douglas Wilson

This is more in-depth, and if you have a sweet tooth for philosophy...

"The best answer to Friedrich Nietzsche we've managed yet to come up with is the prose of P.G. Wodehouse."  
God & Bertie Wooster - by Joseph Bottum

And these are also superb:

Jeeves and Wooster - Episode 1 - "Jeeves Takes Charge"


Enjoy.
Longish

Saturday, June 29, 2013

Never Say Die - Modernity and Morality - Part 1


Jeeves and Wooster
“Stephen Fry and Hugh Laurie shouldn’t age,” says my Dad, leaning against the kitchen counter. “Seeing them get old…it just doesn’t…it’s weird.”

Back in the ’90s, the two British actors co-starred in Jeeves and Wooster. Fry and Laurie played, respectively, the unflappable, omniscient valet, Jeeves, and his dimwitted, talkative employer, Bertrum Wilberforce Wooster. The stories are set in an idyllic pre-war atmosphere, where the greatest ill that can befall a man is ridiculous romantic dilemmas or bogus get-rich-quick schemes. Let’s be honest, it’s pure escapism—albeit escapism with lively wit, brilliant plotting, and hilarious (if somewhat one-dimensional) characters. No one ages and, of course, no one dies.

That’s why it’s so weird to see old Fry and Laurie. I had a similar reaction to seeing Anthony Valentine in a modern movie. I’d had a crush on him in the 1975 TV show Raffles…and suddenly, he was in his seventies. He's old enough to be my grandfather.

Why this violent reaction, this jerking back from reality?