Inspector George Gently - Series 7 - Son of a Gun

My review of last week's episode: Gently Among Friends

Perhaps the greatest irony of Inspector George Gently is that its tragedy always stems from its basic conservatism. To quote C.S. Lewis: "A man does not call a line crooked unless he has some idea of a straight line." This show has always remembered what a straight line looked like. I remember that Gently Upside Down, an episode back in series 4, ends with a young woman, Hazel, berating a failed authority figure. He was meant "to take care of us, not use us." She acts like that should be the natural state of the world.

George Gently has spanned most of the 1960s and Hazel was hardly the only iconoclast. But these children railing against their fathers are never righteous heroes. They're always broken, and even if they wish to transcend "the system," they still display a tangible hunger for the world before it was fallen. They hate their fathers, but want to impress them. They are not men but stunted children desiring attention.

Inspector George Gently - Series 7 - Gently With the Women

The new series starts off on a somber note as a woman is violently attacked in the shadows beneath Durham Cathedral. It is pitch dark in the alleys by the river, but the glowing face of the enormous edifice looms against the night sky, passive, silent, immovable, uncaring, unhearing.

Meanwhile, George Gently is in the ring, attempting to keep up with a younger colleague. Martin Shaw, at 70, still looks like he can throw a mean punch, but George's age is catching up with him. He is suddenly KO’d, letting a punch fly right past his guard, and wakes up in the doctor’s office. He's none too happy about the fuss, but she is insistent that this may be more than a mere fluke.