It’s 1535. The prison is shrouded in deep shadow; only a thin white light illumines the fierce human drama taking place within its stone walls. Weak from long imprisonment, Sir Thomas More gazes fixedly at his cruel-faced inquisitor, Thomas Cromwell. They’re sizing each other up, pondering, deliberating, performing a dozen separate mental calculations. It's a meeting of great political minds, and neither will cave.
Fiction is like a mirror of society. If we are to know what a generation feels, we must look at its stories, its narratives, its fantasies. And it's difficult to think of a better example than the way the story of Thomas More and Thomas Cromwell has evolved over the years.
Within the last half-century, both have been the subject of wildly popular biopics. The first, 1966 film A Man for All Seasons, scooped up six Oscars and five BAFTAs. The other, 2014 miniseries Wolf Hall (based on the novel by Hilary Mantel), arrived amidst a flurry of critical applause, and will probably accomplish similar feats once awards season rolls around. Obviously, there's something about these two historical figures that captivates us.
