Showing posts with label Narnia. Show all posts
Showing posts with label Narnia. Show all posts

Monday, July 22, 2013

Never Say Die - Modernity and Morality - Part 2



Part 1

As a culture, we either avoid death or surrender to it—we are either blind optimists or self-centered pessimists. Speaking of death is often described as morbid. Speaking of it ceaselessly is either depression or being highly artistic, depending on one’s college degree. The optimists find themselves, in their last moments, scrabbling madly for a hold on life, staring at the wall in wide-eyed, hyperventilating terror. The pessimists go into a dark room and blow their brains out. What is the answer? What is the correct way to deal with death?

On one hand, there is no avoidance.

Death is the destiny of every man; the living should take this to heart.
Ecclesiastes 7:2, NIV

But…

O death, where is thy sting? O grave, where is thy victory?
1 Corinthians 15:55, KJV

Death is not there to be avoided, it’s there to be beaten—it has been beaten. Jesus took death down. Like a line-backer. This is the truest realism, not the despairing acceptance of meaninglessness. If it’s cowardice to avoid death, is it not cowardice to surrender to it? Is it not stupid to eschew all good things because of a hyped up idea that it’s sentimental? Isn’t that just intellectual dishonesty? Sure, it’s wrong to accept an idea because it makes you feel good, but isn’t it also wrong to reject an idea because it makes you feel good?

Thursday, May 2, 2013

The Weight of Glory - CD Review




When I saw a free CD on Noisetrade entitled The Weight of Glory, I knew exactly what that referenced. I’d never even heard of Heath McNease, but no questions asked, ten minutes later, I had his CD. Why? Each song is based on a different C.S. Lewis book.

C.S. Lewis is probably the most influential Christian scholar of the 20th Century. He’s widely embraced, even among Mormons, due to the fact that he tried to stay neutral on what Paul called “disputable matters.” Another reason for his popularity is his form of writing, which is very clear and concise. Lewis was an expert at explaining theology to laymen. He was the number two most-recognized-voice on the radio during the Blitz, right after Winston Churchill.

Besides being a great way to catch Christians’ attention, basing an album on Lewis is also a wonderful idea. In the way of sound, this album is all over the place, swinging from pop to folk rock to rap to a sort of smooth spacey sound. The Great Divorce is a master of catchiness—I still love it. A Grief Observed, after months of listening, still makes me cry. The Screwtape Letters is convicting and dark.

My brother, who never endorses a song, has actually admitted he likes the Problem of Pain, and I sometimes hear him whistling the chorus in the shower (for my brother, that’s a big deal). If you enjoy rap, there’s Mere Christianity. The Four Loves, examines the different phases of life—boyhood, college, adulthood—and connects them to the different loves in the book. Edmund examines the connection between the second Pevensie brother and Judas.

While the songs are at their best when the source material is familiar, it’s by no means necessary—they can stand on their own, and they do. It does, however, suffer from repetitiveness. Surprised by Joy is not very surprising. Still, overall, a very fun album—entirely worth the download.

Longish

Saturday, November 3, 2012

The Test of All Happiness

"The test of all happiness is gratitude."
-G.K. Chesterton

 
There's a moment in the Lord of the Rings movies that has always bothered me a little. It's actually my favorite scene, when Frodo and Sam are in Osgiliath, and all hope is dead, it seems. Frodo, despairing, says, "What are we holding onto, Sam?"

Sam turns, grabs Frodo by the shoulders, and hauls him to his feet, staring him eye-to-eye. "There's some good in this world, Mr. Frodo. And it's worth fighting for."

The music swells. Gollum, remembering that little plan about the big spider, looks sheepish. And everyone feels a little better than they did before. It's by far my favorite scene. But, watching it again and again, there was always something nagging me. I knew that it wasn't actually in the books, so I never worried about Tolkien's theology...but here I was, swept up into the clouds by something I didn't believe was true.

I believed that to be theologically correct, we must say there is no good in the world, and there hasn't been since Adam's Fall (excepting a certain carpenter in early AD). All our righteousness is as filthy rags, after all. I didn't feel like it was right to call anything this side of heaven truly good.