Inspector Lewis - Magnum Opus - Review

My review of the previous episode: One For Sorrow

It's not often I'm erudite enough to recognize the names or references that flit through your average Lewis episode, but the instant a character in the opening to Magnum Opus referred to Charles Williams, I jumped out of my seat. In fact, Williams’s name had already sprung to mind when the soon-to-be-dead college don Phil Beskin referred to the Bible's injunction to "bear ye one another's burdens."

Phil Beskin, murdered and laid out in a sinister ritual, loved Williams, fashioning an ideology around the late theologian’s ideas. Williams was a treasure trove when it came to occult belief, and the murder itself seems to have something to do with alchemy (the episode alleges there was no connection between the two, but commenter Grevel Lindop assures me otherwise). Lured into the woods by a text message from a student, Gina Doran, Beskin is killed and covered in leaves and maggots in a wooden hut. As Lewis and Hathaway further investigate the case, it appears that Beskin is the first of four killings, each planned to fulfill the steps of an alchemical process known as the magnum opus.

Foyle's War - Sunflower Episode Review

My review of last week's episode: The Cage

One of the greatest attractions of murder mysteries are the conclusions. After a dramatic confrontation (usually in the library, surrounded by a group of suspects), the crook is bundled off to an undisclosed but hopefully sinister end. Lord Peter Wimsey observed that “in detective stories virtue is always triumphant. They’re the purest literature we have.” On the other hand, in spy stories, corruption and lying are often rampant on both sides, and stories end in a muddle of gray. James Bond is not paragon of justice.

This mix-up of the two genres worked for the first two episodes, but Sunflower comes dangerously close to compromising the entire premise of the show. In this episode, Foyle is tasked with a mission he finds very unpleasant: protecting a Nazi. Karl Strasser is making up for a dark history by feeding MI5 Soviet secrets, but he’s begun to receive death threats. Queue Foyle, the world’s worst bodyguard. His efforts on Strasser’s part seem only half-hearted.

Foyle's War - The Cage - Episode Review

My review of last week's episode: The Eternity Ring

If one is a detective, it’s a fairly certain occupational hazard that your privacy will be violated by a man—wounded in some manner—stumbling into your office, gasps out a cryptic phrase to the tune of “Purple Elephant!”, and falls dead.

“This man has been murdered, Holmes!”

It had to happen. Except, in this case, the man stumbles into a hospital, gasping out the phrase “Ten I!” Meanwhile, a woman gets a mysterious phone call, promptly disappearing and playing merry hell with operations at MI5.

Things are a bit less chaotic than episode one—Foyle is starting to settle into his new job (because, let’s face it, he has nothing to do in retirement but fish and drink scotch), Sam is finding her feet as Foyle’s secretary, and Adam has begun awkwardly campaigning in the dastardly world of politics. And how’s life at the work place? Horowitz has spun a world of lies, interdepartmental spying, and blackmail. Needless to say, Foyle doesn’t fit in. Though actually, he does a bit. Foyle isn’t above using a little misdirection, but it’s still his tenacity that gets him through.

Foyle's War - The Eternity Ring - Episode Review

TV shows, after a few years, often slip into a well-worn groove. All the actors know their place, their character, and things move along with an enjoyable professionalism, albeit a slightly predictable one. Foyle’s War was axed in 2008, but in 2010 the show was, to use a hackneyed phrase, back by popular demand. In the previous finale, the detective had retired (again), and there is no war to be Foyle’s. There was no groove to be well-worn. In 2010, without the war, Foyle had lost his bearings. Sure, the reboot was unpredictable, but had lost its sense of place and was moving into dangerous territory with Foyle's background.

However, series 7 has returned Christopher Foyle to familiar ground: wartime corruption and intrigue. At the same time, the world is radically different. Episode 1 opens in the New Mexico desert with the test of an atomic bomb. This ain’t The Body in the Library. It’s the Cold War, and the stakes have been raised—the Soviets are the new enemy. Foyle is trapped into working for MI5 in a dilemma worthy of an Alex Rider novel (which would make sense, Mr. Horowitz.) Foyle is called upon to investigate a Russian defector and a possible band of spies: the Eternity Ring. Thus ensues a twisty espionage caper, probably a bit too complex, but thoroughly enjoyable.